The kinks tired of waiting for you - The Kinks - Wikipedia

" You Really Got Me ", a Ray Davies song, influenced by American blues and the Kingsmen 's version of " Louie Louie ", [26] [27] was recorded on 15 June 1964 at Pye studios with a slower and more produced feel than the final single. [28] [29] [30] Ray Davies wanted to rerecord the song with a lean, raw sound, but Pye refused to fund another session; Davies took an adamant stand, so the producer, Shel Talmy, broke the stalemate by underwriting the session himself. [31] The band used an independent studio, IBC , and went in on 15 July, getting it done in two takes. [28] The single was released on August 1964, and, supported by a performance on the television show Ready Steady Go! and extensive pirate radio coverage, it entered the UK charts on 15 August, reaching number one on 19 September. [32] [33] Hastily imported by the American label Reprise Records , it also made the Top 10 in the United States. [4] The loud, distorted guitar riff and solo on "You Really Got Me" was played by Dave Davies and achieved by a slice Dave Davies made in the speaker cone of his Elpico amplifier (referred to by the band as the "little green amp")— helped with the song's signature, gritty guitar sound. [34] "You Really Got Me" has been described as "a blueprint song in the hard rock and heavy metal arsenal", [34] and as an influence on the approach of some American garage rock bands. [35] After its release, the group recorded most of the tracks for their debut LP, simply titled Kinks . Consisting largely of covers and revamped traditional songs, it was released on 2 October 1964, reaching number four on the UK chart. [36] The group's fourth single, " All Day and All of the Night ", another Ray Davies hard rock tune, was released three weeks later, reaching number two in the United Kingdom, and number seven in the United States. [4] [34] [37] The next singles, "Set Me Free " and " Tired of Waiting for You ", were also commercially successful, the latter topping the UK singles chart. [7] [37]

You seem to be reflecting a lot on this album. You have the song "Don't Wanna Grow Up," and in "Path Is Long," you say you feel like a boy playing blues on a Harmony guitar.
When you put yourself in that place, that frame of mind, you remember things you've forgotten. When I sing, it's a bit like making a movie. You go back and see these characters in your mind's eye. You resurface memories but go through them with new emotions, because you're different today than you were 50, 60 years ago. You're learning something different through your emotional environment. When I was singing "Path Is Long," I had a lot of tears and anger. I realized that if only we'd simplified certain aspects of our lives, maybe we'd be happy.

As Tom and Jerry, Paul and Artie had been in the teen music biz since 1957. So they were pretty world-wise and maybe a little world-weary by 1967, judging by this stopgap single. It's bookended by what sounds like the "Strawberry Fields" coda and showcases the duo lazily trying to keep pace with the Flower Children: "And a walk in the garden wears me down." Worse, Simon imagines in another life being a tailor whose only worry is making the sleeves longer or shorter, not having to lie about the the 3:14 playing time of the single to get it on AM radio. It is listed on the single as 2:74. Faker, faker!

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A great but gloomy song ("What are we living for?"), it went to number five in the UK but never even reached the top 50 in America.

The Kinks Tired Of Waiting For YouThe Kinks Tired Of Waiting For YouThe Kinks Tired Of Waiting For YouThe Kinks Tired Of Waiting For You